For readers gripped by IN COLD BLOOD and I'LL BE GONE IN THE DARK, WE KEEP THE DEAD CLOSE is both a haunting true-crime narrative of an unsolved 1969 murder at a prestigious institution and a lyrical memoir of obsession and love for a girl who dreamed of rising among men.

For readers gripped by IN COLD BLOOD and I'LL BE GONE IN THE DARK, WE KEEP THE DEAD CLOSE is both a haunting true-crime narrative of an unsolved 1969 murder at a prestigious institution and a lyrical memoir of obsession and love for a girl who dreamed of rising among men.

For readers gripped by IN COLD BLOOD and I'LL BE GONE IN THE DARK, WE KEEP THE DEAD CLOSE is both a haunting true-crime narrative of an unsolved 1969 murder at a prestigious institution and a lyrical memoir of obsession and love for a girl who dreamed of rising among men.

You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget.`

1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious 23-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment.

From prize-winning Chinese American author Susie Yang, this dazzling coming-of-age novel about a young woman’s dark obsession with her privileged classmate offers sharp insights into the immigrant experience.

From prize-winning Chinese American author Susie Yang, this dazzling coming-of-age novel about a young woman’s dark obsession with her privileged classmate offers sharp insights into the immigrant experience.

From prize-winning Chinese American author Susie Yang, this dazzling coming-of-age novel about a young woman’s dark obsession with her privileged classmate offers sharp insights into the immigrant experience.

Ivy Lin is a thief and a liar --- but you’d never know it by looking at her.

Raised outside of Boston, Ivy’s immigrant grandmother relies on Ivy’s mild appearance for cover as she teaches her granddaughter how to pilfer items from yard sales and second-hand shops. Thieving allows Ivy to accumulate the trappings of a suburban teen --- and, most importantly, to attract the attention of Gideon Speyer, the golden boy of a wealthy political family. But when Ivy’s mother discovers her trespasses, punishment is swift and Ivy is sent to China, and her dream instantly evaporates.

Years later, Ivy has grown into a poised yet restless young woman, haunted by her conflicting feelings about her upbringing and her family. Back in Boston, when Ivy bumps into Sylvia Speyer, Gideon’s sister, a reconnection with Gideon seems not only inevitable --- it feels like fate.

Slowly, Ivy sinks her claws into Gideon and the entire Speyer clan by attending fancy dinners, and weekend getaways to the cape. But just as Ivy is about to have everything she’s ever wanted, a ghost from her past resurfaces, threatening the nearly perfect life she’s worked so hard to build.

Filled with surprising twists and a nuanced exploration of class and race, WHITE IVY is a glimpse into the dark side of a woman who yearns for success at any cost.