Editorial Content for The Tulip Eaters
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Reviewer (text)
Pediatric surgeon Nora de Jong arrives home from work on a November afternoon in 1980 to discover Anneke, her mother, dead. As Nora stares unbelievingly at the bullet hole in Anneke's forehead, she wills herself not to faint. Then she screams for her baby daughter, Rose, just six months old. Her search of the house reveals the worst: Rose is gone. It also reveals a man, lying on the carpet. The stranger is dead, and a gun lies near his outstretched arm. Read More
Teaser
Nora de Jong returns home from work one day to find her mother has been murdered. Her infant daughter is missing. And the only clue is the body of an unknown man on the living-room floor, clutching a Luger in his cold, dead hand. The contents of a locked metal box Nora finds in her parents' attic leave her with as many questions as answers --- and suggest the killer was not a stranger.
Promo
Nora de Jong returns home from work one day to find her mother has been murdered. Her infant daughter is missing. And the only clue is the body of an unknown man on the living-room floor, clutching a Luger in his cold, dead hand. The contents of a locked metal box Nora finds in her parents' attic leave her with as many questions as answers --- and suggest the killer was not a stranger.
About the Book
In a riveting exploration of the power the past wields over the present, critically acclaimed author Antoinette van Heugten writes the story of a woman whose child's life hangs in the balance, forcing her to confront the roots of her family's troubled history in the dark days of World War II.
It's the stuff of nightmares: Nora de Jong returns home from work one ordinary day to find her mother has been murdered. Her infant daughter is missing. And the only clue is the body of an unknown man on the living-room floor, clutching a Luger in his cold, dead hand.
Frantic to find Rose, Nora puts aside her grief and frustration to start her own search. But the contents of a locked metal box she finds in her parents' attic leave her with as many questions as answers --- and suggest the killer was not a stranger. Saving her daughter means delving deeper into her family's darkest history, leading Nora half a world away to Amsterdam, where her own unsettled past and memories of painful heartbreak rush back to haunt her.
As Nora feverishly pieces together the truth from an old family diary, she's drawn back to a city under Nazi occupation, where her mother's alliances may have long ago sealed her own --- and Rose's --- fate.
Editorial Content for The House Girl
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Reviewer (text)
It is not often that I get the opportunity to read fiction presenting a dual perspective --- historical and legal --- of past injustices not yet addressed. THE HOUSE GIRL is a legalistic novel written by a New York litigator, now a fiction writer, who approaches the subject of slavery as a grievous, immoral practice and also a modern injustice that should create a legal basis for nationwide restitutions. Read More
Teaser
Art historians now suspect that the revered paintings of Lu Anne Bell, an antebellum artist known for her humanizing portraits of the slaves who worked her tobacco farm, were actually the work of Josephine, Lu Anne’s 17-year-old house slave. In piecing together Josephine's story, ambitious young lawyer Lina Sparrow embarks on a journey that will lead her to question her own life, including the full story of her mother's mysterious death.
Promo
Art historians now suspect that the revered paintings of Lu Anne Bell, an antebellum artist known for her humanizing portraits of the slaves who worked her tobacco farm, were actually the work of Josephine, Lu Anne’s 17-year-old house slave. In piecing together Josephine's story, ambitious young lawyer Lina Sparrow embarks on a journey that will lead her to question her own life, including the full story of her mother's mysterious death.
About the Book
Two remarkable women, separated by more than a century, whose lives unexpectedly intertwine...
2004: Lina Sparrow is an ambitious young lawyer working on a historic class-action lawsuit seeking reparations for the descendants of American slaves.
1852: Josephine is a 17-year-old house slave who tends to the mistress of a Virginia tobacco farm --- an aspiring artist named Lu Anne Bell.
It is through her father, renowned artist Oscar Sparrow, that Lina discovers a controversy rocking the art world: art historians now suspect that the revered paintings of Lu Anne Bell, an antebellum artist known for her humanizing portraits of the slaves who worked her Virginia tobacco farm, were actually the work of her house slave, Josephine.
A descendant of Josephine's would be the per-fect face for the lawsuit --- if Lina can find one. But nothing is known about Josephine's fate following Lu Anne Bell's death in 1852. In piecing together Josephine's story, Lina embarks on a journey that will lead her to question her own life, including the full story of her mother's mysterious death twenty years before.
Alternating between antebellum Virginia and modern-day New York, this searing tale of art and history, love and secrets explores what it means to repair a wrong, and asks whether truth can be more important than justice.
Editorial Content for The Lowland
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Reviewer (text)
For most of her justly celebrated career, Jhumpa Lahiri has written about the tensions and cultural differences in marriages between Westerners and people of Indian ancestry. With her rare talent for the telling detail and her leisurely, old-fashioned approach to storytelling, Lahiri has produced some of the most compelling fiction of the past 15 years. Her two story collections, INTERPRETER OF MALADIES and UNACCUSTOMED EARTH, are masterpieces of the short form. Read More
Teaser
Two brothers born in Calcutta during World War II share a close childhood but separate from one another as adults. Subhash, the older, quieter brother, moves to the US to study marine chemistry. Udayan, the younger and more volatile, stays in India and becomes active in the Naxalite Communist movement. The circumstances that draw them apart and eventually bring their families together form the drama of Jhumpa Lahiri’s second novel.
Promo
Two brothers born in Calcutta during World War II share a close childhood but separate from one another as adults. Subhash, the older, quieter brother, moves to the US to study marine chemistry. Udayan, the younger and more volatile, stays in India and becomes active in the Naxalite Communist movement. The circumstances that draw them apart and eventually bring their families together form the drama of Jhumpa Lahiri’s second novel.
About the Book
Born just 15 months apart, Subhash and Udayan Mitra are inseparable brothers, one often mistaken for the other in the Calcutta neighborhood where they grow up. But they are also opposites, with gravely different futures ahead. It is the 1960s, and Udayan --- charismatic and impulsive --- finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty; he will give everything, risk all, for what he believes. Subhash, the dutiful son, does not share his brother’s political passion; he leaves home to pursue a life of scientific research in a quiet, coastal corner of America.
But when Subhash learns what happened to his brother in the lowland outside their family’s home, he goes back to India, hoping to pick up the pieces of a shattered family, and to heal the wounds Udayan left behind --- including those seared in the heart of his brother’s wife.
Masterly suspenseful, sweeping, piercingly intimate, THE LOWLAND is a work of great beauty and complex emotion; an engrossing family saga and a story steeped in history that spans generations and geographies with seamless authenticity. It is Jhumpa Lahiri at the height of her considerable powers.
Editorial Content for Once We Were Brothers
Teaser
Elliot Rosenzweig, a respected civic leader and wealthy philanthropist, is accused of being a former Nazi SS officer named Otto Piatek, the Butcher of Zamosc. Although the charges are denounced as preposterous, his accuser, Solomon, encourages attorney Catherine Lockhart to bring Rosenzweig to justice, revealing that the true Piatek was abandoned as a child and raised by Solomon's own family, only to betray them during the Nazi occupation. But has Solomon accused the right man?
Promo
Elliot Rosenzweig, a respected civic leader and wealthy philanthropist, is accused of being a former Nazi SS officer named Otto Piatek, the Butcher of Zamosc. Although the charges are denounced as preposterous, his accuser, Solomon, encourages attorney Catherine Lockhart to bring Rosenzweig to justice, revealing that the true Piatek was abandoned as a child and raised by Solomon's own family, only to betray them during the Nazi occupation. But has Solomon accused the right man?
About the Book
The gripping tale about two boys, once as close as brothers, who find themselves on opposite sides of the Holocaust.
Elliot Rosenzweig, a respected civic leader and wealthy philanthropist, is attending a fundraiser when he is suddenly accosted and accused of being a former Nazi SS officer named Otto Piatek, the Butcher of Zamosc. Although the charges are denounced as preposterous, his accuser is convinced he is right and engages attorney Catherine Lockhart to bring Rosenzweig to justice. Solomon persuades Lockhart to take his case, revealing that the true Piatek was abandoned as a child and raised by Solomon's own family only to betray them during the Nazi occupation. But has Solomon accused the right man?
ONCE WE WERE BROTHERS is Ronald H. Balson's compelling tale of two boys and a family who struggle to survive in war-torn Poland, and a young love that struggles to endure the unspeakable cruelty of the Holocaust. Two lives, two worlds, and 60 years converge in an explosive race to redemption that makes for a moving and powerful tale of love, survival, and ultimately the triumph of the human spirit.
Editorial Content for Free Spirit: Growing Up on the Road and Off the Grid
Teaser
Part THE GLASS CASTLE, and part harrowing survival story, Joshua Safran's memoir of his anything-but-conventional childhood will captivate readers from the very first page and will strike a chord with those who love moving stories of overcoming adversity such as BREAKING NIGHT and THE MEMORY PALACE.
Promo
Part THE GLASS CASTLE, and part harrowing survival story, Joshua Safran's memoir of his anything-but-conventional childhood will captivate readers from the very first page and will strike a chord with those who love moving stories of overcoming adversity such as BREAKING NIGHT and THE MEMORY PALACE.
About the Book
When Joshua Safran was four years old, his mother --- determined to protect him from the threats of nuclear war and Ronald Reagan --- took to the open road with her young son, leaving the San Francisco countercultural scene behind. Together they embarked on a journey to find a utopia they could call home. In FREE SPIRIT, Safran tells the harrowing, yet wryly funny story of his childhood chasing this perfect life off the grid --- and how they survived the imperfect one they found instead.
Encountering a cast of strange and humorous characters along the way, Joshua spends his early years living in a series of makeshift homes, including shacks, teepees, buses, and a lean-to on a stump. His colorful youth darkens, however, when his mother marries an alcoholic and abusive guerrilla/poet.
Throughout it all, Joshua yearns for a "normal" life, but when he finally reenters society through school, he finds "America" a difficult and confusing place. Years spent living in the wilderness and discussing Marxism have not prepared him for the Darwinian world of teenagers, and he finds himself bullied and beaten by classmates who don't share his mother's belief about reveling in one's differences.
Eventually, Joshua finds the strength to fight back against his tormentors, both in school and at home, and helps his mother find peace. But FREE SPIRIT is more than just a coming-of age story. It is also a journey of the spirit, as he reconnects with his Jewish roots; a tale of overcoming adversity; and a captivating read about a childhood unlike any other.
Editorial Content for An American Bride in Kabul
Teaser
In 1961, 20 year-old Phyllis Chesler arrived in Kabul with her Afghan bridegroom, now the property of her husband’s family with no rights of citizenship.Upon arrival, her husband, a wealthy, westernized college student with dreams of reforming his country, reverted to traditional and tribal customs. Chesler fought against her imposed seclusion and lack of freedom, her Afghan family’s attempts to convert her from Judaism to Islam, and her husband’s wish to permanently tie her to the country through childbirth.Drawing upon her personal diaries, Chesler recounts her ordeal, the nature of gender apartheid --- and her longing to explore this beautiful, ancient, and exotic country and culture.
Promo
In 1961, 20 year-old Phyllis Chesler arrived in Kabul with her Afghan bridegroom, now the property of her husband’s family with no rights of citizenship.Upon arrival, her husband, a wealthy, westernized college student with dreams of reforming his country, reverted to traditional and tribal customs. Chesler fought against her imposed seclusion and lack of freedom, her Afghan family’s attempts to convert her from Judaism to Islam, and her husband’s wish to permanently tie her to the country through childbirth.Drawing upon her personal diaries, Chesler recounts her ordeal, the nature of gender apartheid --- and her longing to explore this beautiful, ancient, and exotic country and culture.
About the Book
Few westerners will ever be able to understand Muslim or Afghan society unless they are part of a Muslim family. Twenty years old and in love, Phyllis Chesler, a Jewish-American girl from Brooklyn, embarked on an adventure that has lasted for more than a half-century. In 1961, when she arrived in Kabul with her Afghan bridegroom, authorities took away her American passport. Chesler was now the property of her husband’s family and had no rights of citizenship.
Back in Afghanistan, her husband, a wealthy, westernized foreign college student with dreams of reforming his country, reverted to traditional and tribal customs. Chesler found herself unexpectedly trapped in a posh polygamous family, with no chance of escape. She fought against her seclusion and lack of freedom, her Afghan family’s attempts to convert her from Judaism to Islam, and her husband’s wish to permanently tie her to the country through childbirth.
Drawing upon her personal diaries, Chesler recounts her ordeal, the nature of gender apartheid --- and her longing to explore this beautiful, ancient, and exotic country and culture. Chesler nearly died there but she managed to get out, returned to her studies in America, and became an author and an ardent activist for women’s rights throughout the world. AN AMERICAN BRIDGE IN KABUL is the story of how a naïve American girl learned to see the world through eastern as well as western eyes and came to appreciate Enlightenment values. This dramatic tale re-creates a time gone by, a place that is no more, and shares the way in which Chesler turned adversity into a passion for world-wide social, educational, and political reform.
Editorial Content for The Preservationist
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Reviewer (text)
On the surface of it, there's not much to David Maine's novel THE PRESERVATIONIST. After all, most of us probably knew the plot already, right? The animals came two by two, it rained for forty days and forty nights, and there was a rainbow at the end. What else can be said about the oft-told Old Testament tale of Noah's Ark? Read More
Teaser
On the surface of it, there's not much to David Maine's novel THE PRESERVATIONIST. After all, most of us probably knew the plot already, right? The animals came two by two, it rained for forty days and forty nights, and there was a rainbow at the end. What else can be said about the oft-told Old Testament tale of Noah's Ark?
Promo
On the surface of it, there's not much to David Maine's novel THE PRESERVATIONIST. After all, most of us probably knew the plot already, right? The animals came two by two, it rained for forty days and forty nights, and there was a rainbow at the end. What else can be said about the oft-told Old Testament tale of Noah's Ark?
About the Book
To Sam Blount, meeting Julia is the best thing that has ever happened to him.
Working at the local college and unsuccessful in his previous relationships, he’d been feeling troubled about his approaching fortieth birthday, “a great beast of a birthday,” as he sees it, but being with Julia makes him feel young and hopeful. Julia Stilwell, a freshman trying to come to terms with a recent tragedy that has stripped her of her greatest talent, is flattered by Sam’s attention. But their relationship is tested by a shy young man with a secret, Marcus Broley, who is also infatuated with Julia.
Told in alternating points of view, THE PRESERVATIONIST is the riveting tale of Julia and Sam's relationship, which begins to unravel as the threat of violence approaches and Julia becomes less and less sure whom she can trust.
Editorial Content for Friday's Harbor
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Teaser
With the help of marine mammal rehabilitator Gabriel Jump, and a team of dedicated though inexperienced keepers, a failing killer whale named Friday begins to recover. But not everyone believes he should be in captivity --- a debate that explodes onto a national stage. Now, Friday's fate may no longer rest in the hands of Truman and the caring staff at the Max L. Biedelman Zoo.
Promo
With the help of marine mammal rehabilitator Gabriel Jump, and a team of dedicated though inexperienced keepers, a failing killer whale named Friday begins to recover. But not everyone believes he should be in captivity --- a debate that explodes onto a national stage. Now, Friday's fate may no longer rest in the hands of Truman and the caring staff at the Max L. Biedelman Zoo.
About the Book
It's been three years since Hannah, the elephant, departed the Max L. Biedelman Zoo, in Bladenham, Washington, and much has changed, including the appointment of new executive director Truman Levy, and the arrival of a failing killer whale named Friday.
With the help of marine mammal rehabilitator Gabriel Jump, and a team of dedicated though inexperienced keepers, Friday begins to recover. But not everyone believes he should be in captivity --- a debate that explodes onto a national stage. Now, Friday's fate may no longer rest in the hands of Truman and the caring staff at the Max L. Biedelman Zoo.
Like THE ART OF RACING IN THE RAIN and LIKE WATER FOR ELEPHANTS, FRIDAY'S HARBOR beautifully illuminates the special bond between animals and humans.
Editorial Content for Tinderbox
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Teaser
From a breakout talent, a gimlet-eyed look at the entanglements that arise when Myra, a Manhattan analyst, hires a Peruvian woman from a mestizo-Jewish community to be the nanny for her grandchild.
Promo
From a breakout talent, a gimlet-eyed look at the entanglements that arise when Myra, a Manhattan analyst, hires a Peruvian woman from a mestizo-Jewish community to be the nanny for her grandchild.
About the Book
Myra leads a life that, from the outside, many would have cause to envy: An analyst in Manhattan, she enjoys an engaging and prosperous career, seeing patients from the comfort of her brownstone and writing a thoughtful meditation on the teleology of love. Beneath that professional veneer, though, her family is coming apart. When her grown son, his wife, and their young son move in with her, the obligations and latent hostilities of life at home threaten to cause permanent rifts.
Hoping to ease the burden, Myra hires Eva, a Peruvian immigrant newly arrived in New York, as a nanny. But as Eva insinuates herself into the family, becoming ever more invaluable but behaving ever more strangely, what seemed at first like a felicitous arrangement becomes an even greater strain --- and as resentments begin to accrue, the household reaches a disastrous boiling point.
Lisa Gornick is a practicing psychologist and a first-rate novelist, and in TINDERBOX, her extraordinary powers of observation are on display as never before. This is a generous, acute, compassionate novel about the inevitable tangle of guilt and bitterness when the bonds of family collide with the complexities of money and privilege.
Editorial Content for The Night Guest
Book
Teaser
Widowed Ruth lives a quiet life by the sea until a woman claiming to be a government case worker comes to her door one wet night and stays. Frida’s presence subtly changes the environment, as Ruth suddenly starts recalling her childhood in Fiji and seems to hear a tiger roaming outside her window. Yes, there’s a dark secret in the past, but THE NIGHT GUEST is more concerned with creeping fear, the long road of aging, and the inviolable presence of the colonial past.
Promo
Widowed Ruth lives a quiet life by the sea until a woman claiming to be a government case worker comes to her door one wet night and stays. Frida’s presence subtly changes the environment, as Ruth suddenly starts recalling her childhood in Fiji and seems to hear a tiger roaming outside her window. Yes, there’s a dark secret in the past, but THE NIGHT GUEST is more concerned with creeping fear, the long road of aging, and the inviolable presence of the colonial past.
About the Book
A mesmerizing first novel about trust, dependence and fear, from a major new writer
Ruth is widowed, her sons are grown, and she lives in an isolated beach house outside of town. Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman --- Frida --- claims to be a care worker sent by the government. Ruth lets her in.
Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her her own troubled past? And how far can Ruth trust herself?
THE NIGHT GUEST, Fiona McFarlane’s hypnotic first novel, is no simple tale of a crime committed and a mystery solved. This is a tale that soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, trust, dependence, and fear; about processes of colonization; and about things (and people) in places they shouldn’t be. Here is a new writer who comes to us fully formed, working wonders with language, renewing our faith in the power of fiction to describe the mysterious workings of our minds.

