Critical Praise

"Begiebing weaves research and plot in the style of 19th century prose, with long, lyrical sentences and thoughtful descriptions . . . The result is a captivating tale that rings historically true, and one that will particularly appeal to those who love art and history."

——Foster's Daily Citizen (NH)

"Begiebing . . . captur[es] the very essence of history and lifestyles of nineteenth century New England and Europe . . . thoroughly engrossing . . . It is quite obvious . . . that Begiebing has spent a significant amount of time in careful research on the nineteenth century, including studies in the artistic, social, economic, geographical, philosophical and political realms. All of which has imbued this work with detailed descriptions as to bring Allegra Fullerton's fictional story -- along with her beliefs and passions -- to life."

——ForeWord Magazine

"Scholarly research and an imaginative plot are the linchpins of Begiebing's beguiling second novel . . . Begiebing presents Allegra's memoirs in formal, lustrous period language, and his meticulously evoked settings, dialogue and characters provide a seamlessly authentic entry into the era . . . Saturated with vivid period detail, sprinkled with rousing feminist sentiments . . . the novel will keep readers engrossed in its intelligent heroine's adventures. Reproductions of 19th-century portraits provide a visual supplement to this first-rate tale."

——Publishers Weekly

"Two qualities set Allegra apart from a damsel-in-distress story: the richness of the historical detail and Begiebing's uncanny ability to see through the eyes of his main character. It's almost weird how convincing her voice is; one thinks of possession or reincarnation . . . Fictionally, Allegra is more accomplished and engaging [than The Strange Death of Mistress Coffin]. Begiebing, like Allegra, has studied and practiced his craft; his maturity shows in the depth of his main character . . . A delightful and surprising book."

——Portsmouth (NH) Herald

"The 'recovered' memoir is fascinating . . . Allegra describes her transformation from 'mere traveling face maker' to sophisticated associate of Margaret Fuller and John Ruskin. She travels to Florence in the 1840s, where she contemplates her complicated relationship to the world as a young widowed female painter and engages in discussions about the nature of art . . . Allegra's insightful ruminations on the artistic life make up the lively heart of this book."

——New York Times Book Review

"Art, philosophy, religion, slavery, sexual propriety, suffrage -- all are addressed with candid clarity. Although the language of the era is sometimes difficult for modern readers, the effort it takes is ultimately rewarded. Highly recommended."

——Library Journal(starred review)