Critical Praise

"I was so impressed by Victorine. Yes, it's love again, but such a candid view of it and in such an original voice. It's a haunting and remarkable read."

——Joanna Trollope, author of Other People's Children

"Catherine Texier's Victorine is a provocative yet generous meditation on the effects of her great-grandmother's reckless choice of passion over duty as it ripples through time and generations. Every family has its mysteries and intrigues, but few are this dramatic, and even fewer have been the inspiration for such a vivid and graceful novel."

——Katharine Weber, author of The Music Lesson and The Little Women

"Texier based this mesmerizing novel on the family legends surrounding her great-grandmother, Victorine, who left her husband for a year in 1899. At 16, Victorine was the youngest schoolteacher in all of France, but her father's dreams for her are dashed when she meets Armand Texier and becomes pregnant at 17. The couple marries hastily and settles into a life in Vendée with their two children. But Victorine is never completely satisfied, and when handsome Antoine, a man she loved as a girl, reenters her life, he ignites a deep passion in Victorine. When he tells her he is going to Indochina, he asks her to go with him. She does, and she travels to a world where she is able to reinvent herself. But Victorine has never been a woman to fall easily into any one role, and she finds herself as out of place in Indochina as she thought she was in Vendée. With lush, vivid description, Texier brings to life both the world around Victorine and the woman herself."

——Booklist

"Female sexuality--the driving force of Texier's abrasive earlier fiction (e.g., Love Me Tender, 1987; Panic Blood, 1990)--takes a much more romantic form here. Billed as a mixture of fact and fiction and based on the little Texier knew about her eponymous great-grandmother, it's the story of a grand amour and its bittersweet aftermath. The narrative juxtaposes a day in 1940 when the elderly Victorine, living in France under German occupation, goes to the beach with her middle-aged youngest son--with Victorine's staggered memories of her youth, marriage, adultery, and repentance. The latter are revealed in gorgeously written extended flashbacks in which we observe, in the early pages, a young girl who is "good at pretending" growing up in provincial Vendée, briefly encountering handsome teenaged Antoine Langelot, then entering an increasingly unhappy marriage to worldly--and rather officiously masculine--schoolteacher Armand Texier. Victorine bears Armand two children, but dreams of a different, more exotic life. And when Antoine reenters hers and importunes her to travel with him to employment opportunities in Indochina, she vacillates nervously, then, in 1899, leaves her family and joins him. Texier shapes Victorine's Indochina adventure as a series of disillusionments: Antoine's repeated business failures, his slow fall into an expatriate culture absorbed in the pursuit of luxury and the consolations of opium, the "message" implicit in a text she uses to study native languages ("The Tale of Kieu," a narrative poem about a woman who gave up everything to be with her lover), and Victorine's own burgeoning guilt and unhappiness. The close comes with her sorrowful (though resolute) parting from Antoine and her return to Vendée, and Armand. Echoes of both Madame Bovary and Kate Chopin's The Awakening suffuse a nevertheless inventive and artfully composed delineation of a beguiling and complicated woman's arduous journey toward self-understanding. A subtly textured fourth novel: Texier's best yet."

——Kirkus Reviews