THE BOOK OF FORM AND EMPTINESS is a brilliantly inventive novel about loss, growing up and our relationship with things.

THE BOOK OF FORM AND EMPTINESS is a brilliantly inventive novel about loss, growing up and our relationship with things.

A brilliantly inventive novel about loss, growing up and our relationship with things.

One year after the death of his beloved musician father, 13-year-old Benny Oh begins to hear voices. The voices belong to the things in his house --- a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.

At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.

And he meets his very own Book --- a talking thing --- who narrates Benny’s life and teaches him to listen to the things that truly matter.

With its blend of sympathetic characters, riveting plot and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, THE BOOK OF FORM AND EMPTINESS is classic Ruth Ozeki --- bold, wise, poignant, playful, humane and heartbreaking.

Dedicated to “the librarians then, now, and in the years to come,” CLOUD CUCKOO LAND is a beautiful and redemptive novel about stewardship --- of the book, of the Earth, of the human heart.

Dedicated to “the librarians then, now, and in the years to come,” CLOUD CUCKOO LAND is a beautiful and redemptive novel about stewardship --- of the book, of the Earth, of the human heart.

From the Pulitzer Prize–winning author of ALL THE LIGHT WE CANNOT SEE, perhaps the most best-selling and beloved literary fiction of our time, comes the highly anticipated CLOUD CUCKOO LAND.

Set in Constantinople in the 15th century, in a small town in present-day Idaho, and on an interstellar ship decades from now, Anthony Doerr’s third novel is a triumph of imagination and compassion, a soaring story about children on the cusp of adulthood in worlds in peril, who find resilience, hope --- and a book. In CLOUD CUCKOO LAND, Doerr has created a magnificent tapestry of times and places that reflects our vast interconnectedness --- with other species, with each other, with those who lived before us, and with those who will be here after we’re gone.

Thirteen-year-old Anna, an orphan, lives inside the formidable walls of Constantinople in a house of women who make their living embroidering the robes of priests. Restless and insatiably curious, Anna learns to read, and in this ancient city, famous for its libraries, she finds a book, the story of Aethon, who longs to be turned into a bird so that he can fly to a utopian paradise in the sky. This she reads to her ailing sister as the walls of the only place she has known are bombarded in the great siege of Constantinople. Outside the walls is Omeir, a village boy, miles from home, conscripted with his beloved oxen into the invading army. His path and Anna’s will cross.

Five hundred years later, in a library in Idaho, octogenarian Zeno, who learned Greek as a prisoner of war, rehearses five children in a play adaptation of Aethon’s story, preserved against all odds through centuries. Tucked among the library shelves is a bomb, planted by a troubled, idealistic teenager, Seymour. This is another siege. And in a not-so-distant future, on the interstellar ship Argos, Konstance is alone in a vault, copying on scraps of sacking the story of Aethon, told to her by her father. She has never set foot on our planet.

Like Marie-Laure and Werner in ALL THE LIGHT WE CANNOT SEE, Anna, Omeir, Seymour, Zeno and Konstance are dreamers and outsiders who find resourcefulness and hope in the midst of gravest danger. Their lives are gloriously intertwined. Doerr’s dazzling imagination transports us to worlds so dramatic and immersive that we forget, for a time, our own. Dedicated to “the librarians then, now, and in the years to come,” CLOUD CUCKOO LAND is a beautiful and redemptive novel about stewardship --- of the book, of the Earth, of the human heart.

From the two-time Pulitzer Prize-winning author of THE UNDERGROUND RAILROAD and THE NICKEL BOYS comes a gloriously entertaining novel of heists, shakedowns and rip-offs set in Harlem in the 1960s.

From the two-time Pulitzer Prize-winning author of THE UNDERGROUND RAILROAD and THE NICKEL BOYS comes a gloriously entertaining novel of heists, shakedowns and rip-offs set in Harlem in the 1960s.

From the two-time Pulitzer Prize-winning author of THE UNDERGROUND RAILROAD and THE NICKEL BOYS, a gloriously entertaining novel of heists, shakedowns and rip-offs set in Harlem in the 1960s.

"Ray Carney was only slightly bent when it came to being crooked..." To his customers and neighbors on 125th Street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home. 

Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time. 

Cash is tight, especially with all those installment-plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace, Ray doesn't ask where it comes from. He knows a discreet jeweler downtown who doesn't ask questions, either. 

Then Freddie falls in with a crew who plan to rob the Hotel Theresa --- the "Waldorf of Harlem" --- and volunteers Ray's services as the fence. The heist doesn't go as planned; they rarely do. Now Ray has a new clientele, one made up of shady cops, vicious local gangsters, two-bit pornographers and other assorted Harlem lowlifes. 

Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he begins to see who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs? 

HARLEM SHUFFLE's ingenious story plays out in a beautifully recreated New York City of the early 1960s. It's a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem. 

But mostly it's a joy to read, another dazzling novel from the Pulitzer Prize and National Book Award-winning Colson Whitehead.