Equally alive to the sacred and the profane, MATRIX gathers currents of violence, sensuality and religious ecstasy in a mesmerizing portrait of consuming passion, aberrant faith and a woman whom history moves both through and around.

Equally alive to the sacred and the profane, MATRIX gathers currents of violence, sensuality and religious ecstasy in a mesmerizing portrait of consuming passion, aberrant faith and a woman whom history moves both through and around.

One of our best American writers, Lauren Groff returns with her exhilarating first new novel since the groundbreaking FATES AND FURIES.

Cast out of the royal court by Eleanor of Aquitaine, deemed too coarse and rough-hewn for marriage or courtly life, 17-year-old Marie de France is sent to England to be the new prioress of an impoverished abbey, its nuns on the brink of starvation and beset by disease.

At first taken aback by the severity of her new life, Marie finds focus and love in collective life with her singular and mercurial sisters. In this crucible, Marie steadily supplants her desire for family, for her homeland, for the passions of her youth with something new to her: devotion to her sisters, and a conviction in her own divine visions. Marie, born the last in a long line of women warriors and crusaders, is determined to chart a bold new course for the women she now leads and protects. But in a world that is shifting and corroding in frightening ways, one that can never reconcile itself with her existence, will the sheer force of Marie’s vision be bulwark enough?

Equally alive to the sacred and the profane, MATRIX gathers currents of violence, sensuality and religious ecstasy in a mesmerizing portrait of consuming passion, aberrant faith and a woman whom history moves both through and around. Lauren Groff’s new novel, her first since FATES AND FURIES, is a defiant and timely exploration of the raw power of female creativity in a corrupted world.

Perfect for fans of THE ROSE CODE, THE RIVIERA HOUSE is a lush and engrossing novel of one woman’s quest to keep Nazis from stealing priceless art during WWII.

Perfect for fans of THE ROSE CODE, THE RIVIERA HOUSE is a lush and engrossing novel of one woman’s quest to keep Nazis from stealing priceless art during WWII.

A lush and engrossing novel of one woman’s quest to keep Nazis from stealing priceless art during WWII, perfect for fans of THE ROSE CODE.

Paris, 1939: The Nazis think Éliane can't understand German. They’re wrong. They think she’s merely cataloging art in the Louvre and unaware they’re stealing national treasures for their private collections. They have no idea she’s carefully decoding their notes and smuggling information to the Resistance. But Éliane is playing a dangerous game. Does she dare trust the man she once loved with her secrets, or will he only betray her once again? She has no way to know for certain...until a trip to a stunning home on the French Riviera brings a whole new level of peril.

Present Day: Wanting to forget the tragedy that has left her life in shambles, Remy Lang heads to a home she’s mysteriously inherited on the Riviera. While working on her vintage fashion business, she discovers a catalog of the artworks stolen during World War II and is shocked to see a painting that hung on her childhood bedroom wall. Who is her family, really? And does the Riviera house hold more secrets than Remy is ready to face?

Told entirely through clever and captivating Slack messages, this irresistible, relatable satire of both virtual work and contemporary life is "The Office" for a new world.

Told entirely through clever and captivating Slack messages, this irresistible, relatable satire of both virtual work and contemporary life is "The Office" for a new world.

A work-from-home comedy where WFH meets WTF.
 
Told entirely through clever and captivating Slack messages, this irresistible, relatable satire of both virtual work and contemporary life is "The Office" for a new world.

Gerald, a mid-level employee of a New York–based public relations firm, has been uploaded into the company’s internal Slack channels --- at least his consciousness has. His colleagues assume it’s an elaborate gag to exploit the new work-from-home policy, but now that Gerald’s productivity is through the roof, his bosses are only too happy to let him work from...wherever he says he is.
 
Faced with the looming abyss of a disembodied life online, Gerald enlists his co-worker Pradeep to help him escape and to find out what happened to his body. But the longer Gerald stays in the void, the more alluring and absurd his reality becomes.
 
Meanwhile, Gerald’s colleagues have PR catastrophes of their own to handle in the real world. Their biggest client, a high-end dog food company, is in the midst of recalling a bad batch of food that’s allegedly poisoning Pomeranians nationwide. And their CEO suspects someone is sabotaging his office furniture. And if Gerald gets to work from home all the time, why can’t everyone? Is true love possible between two people, when one is just a line of text in an app? And what in the hell does the :dusty-stick: emoji mean?
 
In a time when office paranoia and politics have followed us home, Calvin Kasulke is here to capture the surprising, absurd and fully relatable factors attacking our collective sanity…and give us hope that we can still find a human connection.

With the same propulsion that captivated millions of readers worldwide in THE GIRL ON THE TRAIN and INTO THE WATER, Paula Hawkins unfurls a gripping, twisting story of deceit, murder and revenge.

With the same propulsion that captivated millions of readers worldwide in THE GIRL ON THE TRAIN and INTO THE WATER, Paula Hawkins unfurls a gripping, twisting story of deceit, murder and revenge.

With the same propulsion that captivated millions of readers worldwide in THE GIRL ON THE TRAIN and INTO THE WATER, Paula Hawkins unfurls a gripping, twisting story of deceit, murder and revenge.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police.

Three women with separate connections to the victim. Three women who are --- for different reasons --- simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them. When it comes to revenge, even good people might be capable of terrible deeds. How far might any one of them go to find peace? How long can secrets smolder before they explode into flame?